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What happens when your grandfather’s painted plates start falling off the wall? You keep drawing them. 😂 I’ve now recreated 12 of my grandpa’s acrylic original artworks in soft pastels (see Part 1 and Part 2 in the blog!), and along the way, his art has literally taken me places, from the Hillsboro Inlet Lighthouse to Juno Beach, West Palm Beach, and my first live online session. Honoring Grandpa, Robert George Etienne, by Re-Creating his Art (Part 3): Going Places By Jackie Morreale (00:00) Hi there. My name is Jackie Morreale, and I'm the host of Wisdom for Wannabes. Apparently I have not finished recreating my grandpa's art. I really didn't expect to do a part two. I definitely didn't expect to do a part three. But here we are. Once again, happy 100th heavenly birthday to my grandpa, Robert George Etienne. I moved the installation of Grandpa's painted plates out of my podcast recording studio, to a more permanent location. As I was reinstalling this very tall six by nine-foot-ish installation, plates started falling. Every night, there would be another plate on the floor. Fortunately, they're plastic. First:
I started thinking: Maybe I'm using really cheap tape? Or maybe, I'm meant to keep going with this project? RE-CREATION 1: STRIPED LIGHTHOUSE The first piece that I created was this lighthouse. I decided to venture to Broward County, and find the Hillsborough Inlet Lighthouse. I found a park across the water with an incredible view, and this amazing two-tone lighthouse. Grandpa's lighthouse had a red and white striped pattern, but this actual lighthouse has this beautiful architectural structure, black in the upper portion and white below, with its cylindrical middle and these supports that come together toward the top. I had my ruler out because there were so many angles and structural lines. I spent more than an hour drawing it. The water on the park side was incredibly peaceful. People were snorkeling. There was beauty above the water and underneath it. It was just one of those perfect days. Then I went back to my car, there was a $45 parking ticket on the front windshield. Apparently there was an art tax for creating this particular drawing. The more you know. RE-CREATION 2: GAZEBO This second painting brought me back to a park in West Palm Beach that I really love. Grandpa's painting has this beautiful garden and gazebo surrounded by flowers and layers of foliage. I saw this elevated structure beside the lake where people watch waterskiing. I thought it looked reminiscent of this beautiful gazebo that he had done. It's not exactly the same scene as grandpa's. His is more, I think, fantastical, more spring-like. More ornate. Mine had a lake, reflections of palm trees, wildflowers growing right along the water, and layer upon layer of trees. I noticed something that I hadn't noticed or thought about before. The trees don't all look the same in this park, they all have different leaves, different shapes. The shadows were dancing across the path. Very different interpretation from grandpa's painting, but somehow I was able to find magic in both. I think that's one of the things I'm learning through this whole project. We don't have to recreate someone's world exactly. We can take what they loved and find it in our own. RE-CREATION 3: PELICAN The third painting was a little bit scarier because I did it live. It was my first live drawing session as part of my new 'Wisdom Wednesdays' live series. Grandpa's Pelican painting is incredibly simple. It's basically a black background with a white pelican. beak and feet are this beautiful yellow-orange. That's almost it. But I found the contrast absolutely genius. The more I drew it, the more I appreciated it. The proportions of the wing, the belly, the head.The curve of the beak, the webbed feet, even the way the individual feathers were suggested on the wing. There was so much going on in such a simple composition. He didn't need a lot, he just needed the right things... and suddenly you have this incredibly striking image. I also think it's funny that I'm so drawn to animals. The same kind of visual simplicity. Maybe some things really do get passed down. RE-CREATION 4: SCUBA DIVER & TURTLE Finally, the turtle. This is especially fun because I had a reference of my own. Last year I had seen a loggerhead sea turtle at Loggerhead Marine Life Center. He would come right up to the window and greet people. When I was thinking about how to recreate grandpa's scuba diver and turtle painting, I thought, 'Why not just draw Sheldon?' I drove up to Juno Beach, and drew my own version of Grandpa's sea turtle painting. I had my little Loggerhead turtle stuffed animal with me. It was such a sweet experience. I talked with some of the volunteers. They told me how much they missed Sheldon. He had just gotten released last week! There were other beautiful sea turtles there too. What I really love about this place is that It's a rehabilitation facility. The goal is to care for those animals and then return them back to the ocean. Sitting there drawing a turtle that I've seen in this environment, that was released back into the ocean, made the whole thing feel very connected. ART WILL TAKE YOU PLACES By this point, I started thinking: People say things to kids all the time, like: 'Your sport is going to take you places.' 'Your brains are going to take you places.' Grandpa's art has literally taken me places. This project has taken me to the Hillsboro Inlet Lighthouse. This project has taken me to Juno Beach. This project has also taken me live, completely out of my normal routine. It's gotten me into parks, onto beaches, and into my own imagination. I remembered something else: Grandpa used his art to take himself places, too. He spoke some German after serving in World War II. He would travel to Germany, Austria, and Switzerland. He would sit on a train and look out the window and paint. He told me what he would actually use to mix his paints... his own spit... which might sound disgusting, but also kind of hilarious. He was practical, adventurous, creative, a little quirky, and completely willing to make his own way through the world. So, Grandpa, thank you for leaving behind enough pieces of yourself for us to keep discovering you. Happy heavenly 100th birthday, for the third time. I'll see you when the next plate falls off the wall.
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More Than a Tribute: Learning to See Through My Grandpa's Eyes When I began recreating my grandfather Robert George Etienne's paintings, I thought I was simply honoring his memory. Instead, I discovered something much deeper. Each pastel drawing became an opportunity to slow down and notice the thoughtful choices he made as an artist—the play of light on a kitchen pot, the delicate blues of summer hydrangeas, the warmth of a fresh-picked peach, and the vibrant colors of a simple bouquet. Along the way, I realized that the greatest inheritance he left me wasn't his traveling easel, his oil paints, or even his artwork. It was the ability to find beauty in ordinary moments. This video is an invitation to remember someone who shaped the way you see the world and to reflect on the creative legacy that lives on through each of us. Happy heavenly 100th birthday, Grandpa. 🎨 Original painted artwork by Robert George Etienne 🖍️ Soft pastel recreations by Jackie Morreale 🌐 View Robert George Etienne's tribute art gallery. Remembering Robert George Etienne Through his Art By Jackie Morreale Every artist leaves something behind. Sometimes it is displayed in galleries, sometimes it hangs on the walls of a family home, and sometimes it lives through the hands of someone they inspired. My name is Jackie Morreale, and I'm the host of Wisdom for Wannabes. This is the story of my grandfather, Robert George Etienne, through his art. This past Thursday, we celebrated his heavenly hundredth birthday. Many people knew him as a World War II veteran who earned a purple heart, a husband, and a father of eight children. But to me, he was Grandpa, and Grandpa was an artist. Grandpa had a gift for finding beauty in everyday moments. He painted peaceful seascapes, flowers, fruit, simple scenes from didn't need grand subjects. He saw beauty in the ordinary. Before he passed away in 2024, Grandpa gave me his travelling easel and oil paints. After his passing, my grandmother, Mary Etienne, shared part of his painted plate collection with me. Those paintings became a connection to the artist that he was. To honor Grandpa for his heavenly hundredth birthday, I decided to recreate four of his original acrylic paintings on plates in my own medium, soft pastels on paper. They are not exact copies, they are conversations across generations. 1: RED BOUQUET The first one is drawing grandpa's red flower bouquet. Before I even started, a gust of wind knocked over the heavy Lenox glass pitcher I was using to hold the flowers. It shattered across the wooden floor. After cleaning up the glass, I ended up cutting my left hand. So yes, I literally bled for Grandpa's bouquet. It isn't my favorite flower drawing but I love it because sitting there recreating grandpa's work, it felt like he was with me. It became another special memory. 2: BLUE HYDRANGEA The second drawing that I attempted to recreate was Grandpa's Blue Hydrangeas. Growing up in Long Island, New York, I remember seeing these beautiful flowers everywhere during the warmer months. Grandpa's painting immediately transported me back there. Simple joy of noticing something beautiful. 3: HIERLOOM TOMATOES Drawing Grandpa's heirloom tomatoes. This painting was the one that made me appreciate Grandpa not only as my grandfather but as a true artist and creative genius. Grandpa grew heirloom tomatoes in his own backyard. He loved gardening, and I remember him always making tomato soup. Those memories are so him, but when I created this painting, I discovered something deeper. I suddenly saw the artist behind the image. The painting is simple, quiet, almost understated. But the more I looked, the more I noticed. The way the tomato reflected off the pot, the shape of the handle, the strong perpendicular lines between the wood grain and the way the light created depth and balance. What looked like a simple painting of a tomato was actually a lesson in composition, observation, and restraint. After all these years, he's still teaching me how to see. 4: PEACHES Part 4, drawing grandpa's peaches. Peaches and nectarines are my absolute favorite food to eat, which makes this painting especially meaningful. There's something magical about a fresh picked peach. The soft texture, the sweet smell, the first bite filled with summer. As the warm oranges and golden colors, I wasn't just drawing fruit. I was remembering: imagining the taste, the smell, and the feeling of those moments again. That is the gift of art. It allows us to revisit the people and places we love, no matter where they are. IMAGINATION EXERCISE:
As you look at these paintings, I invite you to imagine stepping into one of grandpa's scenes. Imagine walking through a summer garden filled with blue hydrangeas. Feel the warm breeze. Notice the colors. Imagine reaching for a peach fresh from the tree, feeling its soft skin and tasting the sweetness of summer. Taking in the beauty of something simple. --- IN LOVING MEMORY: This is what grandpa's art gave me: a way to pause, a way to remember, and a way to feel connected across time. My grandfather's paintings remind me that creativity is one of the greatest gifts that we can pass down. An artist's life does not end when they are gone. Their vision continues through the people they inspire. Every time I pick up my pastels, I think about my grandpa. His easel, an actual palette, his paintings. His way of noticing natural beauty. And now his art continues through mine. Happy heavenly 100th birthday, Grandpa! Thank you for your service. Thank you for your creativity. Thank you for teaching me to see the world a little bit differently. |
Jackie MorrealeJackie writes from her own experiences and reflections on her journey in seeking wisdom, creativity, spirituality, and life in general. This is "putting thyself out there" at its finest. Archives
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